Laurie Anderson, Fully Automated Nikon (Object/Objection/Objectivity), 1973
Laurie Anderson took pictures of men who made comments to her on the street. She was armed with her Nikon camera. This is a direct response to the male gaze, taking away the power of looking (even more so by barring out the men’s eyes), and manifests her objection of the rendering of herself into an object.
Laurie Anderson, Fully Automated Nikon (Object/Objection/Objectivity), 1973
Laurie Anderson took pictures of men who made comments to her on the street. She was armed with her Nikon camera. This is a direct response to the male gaze, taking away the power of looking (even more so by barring out the men’s eyes), and manifests her objection of the rendering of herself into an object.
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